VOLUME 66, 1 (2006)

• Imperfect Symmetry: Re-thinking Bronze Casting Technology in Ancient China
  Lukas Nickel
• Forgeries Signed as Mei Qing: Mount Huang Paintings
  Shwu-ching Lee
• The Great Railing at Amaravati: An Architectural and Archaeological Reconstruction
  Akira Shimada
• Snakes and Ladders in India: Some Further Discoveries
  Andrew Topsfield

VOLUME 66, 2 (2006)

• Swords from Ottoman and Mamluk Treasuries
  David Alexander
• In the Eye of the Storm: Visualizing the Qajar Axis of Kingship
  Sussan Babaie
• “When My Beholder Ponders:” Poetic Epigraphy in the Alhambra
  Olga Bush
• Mamluk Elements in the Damascene Decorative System of the Eighteenth and Nineteenth Centuries
  Anne-Christine Daskalakis Mathews
• Making History: A Monumental Battle Painting of the Perso-Russian War
  Layla S. Diba
• Unruly Images: Photography in and of Afghanistan
  Holly Edwards
• Adorned like a Rose: The Sultan Murad III Album and the Persian Connection
  Aimée Frrom
• The Architect/s of the Sultan Hasan Complex in Cairo
  Abdallah Kahil
• Mixed Metaphors: Iconography and Medium in Mamluk Glass Mosaic Decoration
  Ellen Kenney

VOLUME 67, 1 (2007)

• Embroidering History: A tiraz Textile from the Reign of al-Muqtadir Billâh
  Jaclynne J. Kerner
• “A Thousand Designs for the Sake of the Bowl:” A Wine Vessel with Persian Inscriptions atLACMA
  Linda Komaroff
• The Mi’radj-nama Reconsidered
  Tomoko Masuya
• What the Fox told the Snake: Illustrated Animal Fables from Akbar’s Age
  Mika Natif
• The Beginning of the Khurasani School of Painting at Herat
  Barbra Schmitz
• Invented Pieties: The Rediscovery and Rebuilding of the Shrine of Sayyida Ruqayya in Damascus, 1975–2006
  Yasser Taabaa
• A Group of Artists Associated with the “Asitana” of Husam al-Din Ibrahim
  Lale Uluç
• Following the Path of a Nakkash from the Ak Koyunlu to the Ottoman Court
  Aysin Yoltar-Yildirim

VOLUME 67, 2 (2007)

• The Trübner Stele Re-examined: Epigraphic and Literary Evidence
  Eileen Hsiang-ling Hsu
• The Hejiacun Rhyton and the Chinese Wine Horn (Gong): Intoxicating Rarities and their Antiquarian History
  François Louis
• Tianzhu Lingqian: Divination Prints from a Buddhist Temple in Song Hangzhou
  Shih-shan Susan Huang
• The Paintings of Huang Xiangjian’s Filial Journey to the Southwest
  Elizabeth Kindall

VOLUME 68, 1 (2008)

• The Longshan Daoist Caves
  Anning Jing
• The Narrative Art of the Srisailam Prakara: A Visual Narrative
  Prabhavati C. Reddy
• Wall-Painting in Bundi: Comments and a new Discovery
  Milo Cleveland Beach

Research Note

• The Baghani Complex: Medival Pavillions in the Mardin Hinterland, Southeastern Turkey
  Deniz Beyazit

VOLUME 68, 2 (2008)

• Image, Text, Monument: A Reexamination of the Philadelphia Brahma and “Later Calukyan” Sculpture
  John Henry Rice
• Shoko mandara and the Cult of Prince Shotoku in the Kamakura Period
  Chari Pradel
• Views of Japanese Temples and Shrines from Near and Far: Precinct Prints of the Eighteenth and Nineteenth Centuries
  Sherry Fowler
• The Well-Known Javanese Statue in the Tropenmuseum, Amsterdam and its Place in Javanese Sculpture
  Pauline Lunsingh Scheurleer

Research Note

• The Colophon Portrait of the Royal Asiatic Society Gulistan of Sa’di
  John Seyller

VOLUME 69, 1 (2009)

• Views of Japanese Temples and Shrines from Near and Far: Precinct Prints of the Eighteenth and Nineteenth Centuries
  Sherry Fowler
• Anyang Mold-Making and the Decorated Model
  Robert Bagley
• A Manichaean ‘Portrait of the Buddha Jesus’
  Zsuzsanna Gulácsi
• Authenticity and the Expanding Market in Chen Hongshou’s Seventeenth-Century Printed Playing Cards
  Tamara H. Bentley
• The Javanese Statue of Garuda carrying Wisnu and its Temple
  Pauline Lunsingh Scheurleer

VOLUME 69, 2 (2009; Festschrift in Honour of Joanna Williams, part 1)

• Introduction
  Padma Kaimal
• From Place to Site: Locations of the Buddha’s Life
  Frederick Asher
• The Sufi Shrines of Shahul Hamid in India and South-East Asia
  Catherine B. Asher
• Terra Ephemera: The Case of a New Goddess in Bengal
  Tryna Lyons
• Gaurisikhara: Temple as an Ocean of Story
  Michael W. Meister
• Kurma Imagery in Indian Art and Culture
  Devangana Desai
• Unfinished Business: Clues about Artistic Praxis from the Hidden Foot of Borobudur
  Natasha Reichle

VOLUME 70, 1 (2010; Festschrift in Honour of Joanna Williams, part 2)

• Artfully Carved: Udayagiri/Khandagiri in Orissa
  Janice Leoshko
• South Indian or Sri Lankan? The Hindu Temples of Polonnaruva, Sri Lanka
  Sujatha Arundathi Meegama
• Temple of Eternal Return: The Swaminarayan Akshardham Complex in Delhi
  Kavita Singh
• Unfinished Business: Buddhist Reuse of Angkor Wat and Its Historical and Political Significance
  Jinah Kim
• Not Your Average Boar: The Colossal Varaha at Eran, an Iconographic Innovation
  Catherine Becker
• Reading Coomaraswamy on the Origin of the Buddha Image
  Juhyung Rhi

VOLUME 70, 2 (2010)

• ArtKings or Ascetics? Evidence of Patronage in Ellora’s Jain Caves
  Lisa N. Owen
• The Form and Function of Western Han Dynasty Ticou Tombs
  Aurelia Campbell
• A Book of Buddhist Goddesses: Illustrated Manuscripts of the Pancaraksha Sutra and Their Ritual Use
  Jinah Kim
• Li Bai Drinks with the Moon: The Cultural Afterlife of a Poetic Conceit and Related Lore
  Kathlyn Liscomb

Research Note

• A Pancaraksha Manuscript from Year 39 of the Reign of Ramapala
  Eva Allinger and Gudrun Melzer

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