VOLUME 28, 1 (1966)

• Early, Middle, and Late Shang: A Note
  Alexander C. Soper
• Some Standing Jade Figurines of the Shang-Chou Period
  Chêng Tê-K’un
• Ritual Deposit Boxes in Southeast Asian Sanctuaries
  Stanley J. O’Connor
• The Identity and Significance of the Standing Figure at the Gal-vihara , Polonnaruva, Ceylon
  L. Prematilleke

VOLUME 28, 2/3 (1966)

• Chinese Pictorial Bronze Vessels of the Late Chou Period: Part I
  Charles D. Weber
• Identity and Significance of the Object Held by the Dwarfs in the Guardstones of Ancient Ceylon
  L. Prematilleke
• The Late Stone Age Industries from Excavated Sites in Gujarat, India
  S. C. Malik
• Aurangabad: A Stylistic Analysis
  Deborah Brown Levine
• The Problem of the Artist ‘Nainsukh of Jasrota’
  B. N. Goswamy
• Weapons of War in the Sculptures of Nagarjunakoṇḍa
  K. Krishna Murthy
• Notes Iraniennes XV: Deux Bronzes des Rois d’Urartu
  R. Ghirshman

VOLUME 28, 4 (1966)

• Imperial Cave-Chapels of the Northern Dynasties: Donors, Beneficiaries, Dates
  Alexander Coburn Soper
• Chinese Pictorial Bronze Vessels of the Late Chou Period. Part II 
  Charles D. Weber

VOLUME 29, 1 (1967)

• Some Sculptural Motifs on Early Calukya Temples
  Aschwin Lippe
• The Evolution of the T’ang Lion and Grapevine Mirror
  Nancy Thompson
• Addendum: The “Jen Shou” Mirrors
  Alexander Coburn Soper
• The Typology of the Anantashayi Icon
  K. V. Soundara Rajan
• L’Amphisbène
  Louis Malleret
• Note on a Mukhalinga from Western Borneo
  S. J. O’Connor

VOLUME 29, 2/3 (1967)

• Chinese Pictorial Bronze Vessels of the Late Chou Period. Part III
  Charles D. Weber
• Japanese Screen Paintings of the Hogen and Heiji Insurrections
  Miyeko Murase
• The Theory and Technique of Classical Indian Dancing
  Kapila Vatsyayan
• Balinese Painting and the Wayang Tradition
  Leland W. Gralapp
• The “Letter from Shih-t’ao to Pa-ta-shan-jen”
  Alexander Coburn Soper

VOLUME 29, 4 (1967)

• Notes sur l’Art du Bronze dans l’ancien Cambodge
  Jean Boisselier
• A Ninth Century Landscape Painting in the Japanese Imperial Palace and Some Chinese Parallels
  Alexander Coburn Soper

VOLUME 30, 1 (1968)

• A Han Painted Tomb at Loyang
  Jonathan Chaves
• Early Chinese Representations of Vimalakirti
  Emma C. Bunker
• Une Cruche de Bronze présumée chame à double Goulot
  Louis Malleret
• A Buddhist Monastery Type of Ancient Ceylon Showing Mahayanist Influence
  L. Prematilleke, R. Silva
• A Maheshamurti at Bhuvaneshvara
  José Pereira

VOLUME 30, 2/3 (1968)

• Les Linteaux Khmers du VIIIe siècle. Nouvelles données sur le style de Kompong Prah
  Jean Boisselier
• Chinese Pictorial Bronze Vessels of the Late Chou Period. Part IV
  Charles D. Weber
• Notes iraniennes XVI. Deux statuettes élamites du plateau iranien
  R. Ghirshman
• All the World’s a Stage: A Note
  Alexander Coburn Soper

VOLUME 30, 4 (1968)

• The Freer “Sheep and Goat” and Chao Meng-fu’s Horse Paintings
  Chu-Tsing Li

VOLUME 31, 1 (1969)

• A Chinese Scroll of the Ming Dynasty “Ming Huang and Yang Kuei-fei Listening to Music”
  George A. Rowley
• Some Late Chinese Bronze Images (Eighth to Fourteenth Centuries) in the Avery Brundage Collection, M. H. De Young Museum, San Francisco
  Alexander Coburn Soper
• The Gilding of Ancient Bronze Statues in Japan
  Sherwood F. Moran
• Sur une défense d’éléphant sculptée ayant appartenu à M. Poivre
  Louis Malleret
• A Shiva Icon from Piandjikent
  P. Banerjee

VOLUME 31, 2/3 (1969)

• The Representation of Costumes in the Reliefs of Taq-i-Bustan
  Elsie Holmes Peck
• Early Buddhist Caves at Junnar
  Vidya Dehejia
• Sculptures from the Later Calukyan Temple at Haveri
  M. S. Nagaraja Rao
• An Early Gupta Seal of the Mahiṣasuramardini
  K. Bharatha Iyer
• Nine Inscribed Choresmian Bowls
  Guitty Azarpay
• All the World’s a Stage: A Note. A Rebuttal
  A. Bulling

VOLUME 31, 4 (1969)

• The Yakushi Image and Shaka Trinity of the Kondo, Horyuji: A Study of Drapery Problems
  Diana Pyle Rowan
• Some Comments on Medieval Iranian Art. (A Propos the Publication of “The Cambridge His-tory of Iran”)
  Richard Ettinghausen
• Shri Yugadhara: A Master-Artist of Ajanta
  M. K. Dhavalikar
• The Cult of Jvalamalini and the Earliest Images of Jvala and Shyama
  S. Settar

VOLUME 32, 1 (1970)

• A Long Roll of Buddhist Images.
  Alexander C. Soper, Helen B. Chapin
• Identification of Three Miniatures in the Nasli and Alice Heeramaneck Collection
  David T. Sanford
• A Chronology of Indian Sculpture: The Satavahana Chronology at Nasik
  Jeanne L. Trabold

VOLUME 32, 2/3 (1970)

• The Former Broadley Collection, Bihar Sharif
  Frederick M. Asher
• A Vamana Temple at Maṛhia and Some Reflections on Gupta Architecture
  Pramod Chandra
• Tsung Ping’s Comments on Landscape Painting
  Leon Hurvitz
• A Long Roll of Buddhist Images
  Helen B. Chapin, Alexander Coburn Soper
• A Problematical Chinese Bronze Vessel. The Ku That Was “Too Good to Be True”
  Alexander Coburn Soper
• Farewell Paintings of China: Chinese Gifts to Japanese Visitors
  Miyeko Murase

VOLUME 32, 4 (1970)

• Al-Hiba, 1968-1969, a Preliminary Report
  Donald P. Hansen
• A Long Roll of Buddhist Images. III
  Helen B. Chapin, Alexander C. Soper
• Kunst im Lan Na Thai (1): Der Grosse Gong im Kloster Phrathat Hariphunchai
  Hans Penth
• The Cloisonné Mirror in the Shosoin: Date and Provenance
  Dietrich Seckel, Helmut Brinker

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