Vol. 43-46

VOLUME 43, 1/2 (1981)

A Study of Early Chinese Armor
Albert E. Dien
The Sui Xian Tomb: Re-Thinking the Fifth Century
Robert L. Thorp
The Flying White Horse: Transmission of the Valāhassa Jātaka Imagery from India to Japan
Julia Meech-Pekarik
Nand Chand and a Central Indian Regional Style
Donald M. Stadtner
Leaves from an Early Pahari Ramayana Series: Notes on a Group of Nine Paintings in the Rietberg Museum, Zurich
B. N. Goswamy

VOLUME 43, 3 (1981-82)

Bishapur VI: An Artistic Record of an Armeno-Persian Alliance in the Fourth Century
Guitty Azarpay
Kaikei’s Statue of Hachiman in Todaiji
Christine Guth Kanda
Une sculpture insolite de l’Indian Museum de Calcutta
Mireille Bénisti
Iconographic Themes of the Gopura of the Kailasanatha Temple at Ellora
Mary Beth Heston
Shiva-inga with Gaṇas, a New Find from Mathura
A. K. Srivastava
The Date of Tomb 5 at Yinxu, Anyang: A Review Article
Robert L. Thorp

VOLUME 43, 4 (1981-82)

Representations of Hariti, the Mother of Demons, and the Theme of “Raising the Alms-Bowl” in Chinese Painting
Julia K. Murray
The Origins of Gaṇesha,
Y. Krishan
Analysis of Temple Plans: Indor
Michael W. Meister

VOLUME 44, 1 (1983)

A Scene of the Taoist Afterlife on a Sixth Century Sarcophagus Discovered in Loyang
Patricia Eichenbaum Karetzky
Early Painting in Mandi
Catherine Glynn
Tradition and Invention in Himachal Pradesh Temple Arts
Ronald M. Bernier

VOLUME 44, 2/3 (1983)

The Wedding Ceremony for an Imperial Liao Princess. Wall Paintings from a Liao Dynasty Tomb in Jilin
Linda Cooke Johnson
The Plan of Khubilai Khan’s Imperial City
Nancy Shatzman Steinhardt
The Iconography of the Popular Gods of Happiness, Emolument, and Longevity (Fu Lu Shou)
Mary H. Fong
Late Ming Views of Yüan Painting
Susan E. Nelson
The Evidence for a Vishvarupa Iconographic Tradition in Western India, 6th-9th Centuries A.D.
T. S. Maxwell

VOLUME 44,4 (1983)

The True Chronology of Ashokan Pillars
John Irwin
Geometry and Measure in Indian Temple Plans: Rectangular Temples
Michael W. Meister
On the Symbolism of Three- and Four-Faced Vishṇu Images: A Reconsideration of Evidence
Adalbert J. Gail
A Preliminary Study of the Game of Karma in India, Nepal, and Tibet
Deepak Shimkhada

VOLUME 45,1 (1984)

Japanese Kinbyobu: The Gold-Leafed Folding Screens of the Muromachi Period (1333-1573). Part I
Bettina Klein; Carolyn Wheelwright
Tang Tomb Murals Reviewed in the Light of Tang Texts on Painting
Mary H. Fong
The Ceiling of the Mukteshvara Temple in Bhubaneswar
Walter Smith

VOLUME 45, 2/3 (1984)

Japanese Kinbyobu: The Gold-Leafed Folding Screens of the Muromachi Period (1333-1573). Parts II-IV
Bettina Klein; Carolyn Wheelwright
Some Liao Tomb Murals and Images of Nomads in Chinese Paintings of the Wen-Chi Story,
Robert Albright Rorex
The Evidence of White-Wash, Plaster and Pigment on North Indian Sculpture with Special Reference to Sarnath
Krishna Kumar
Five Dated Nepalese Metal Sculptures
Ian Alsop
The Masquerading Sun: A Unique Syncretic Image in Nepal
Deepak Shimkhada

VOLUME 45, 4 (1984)

Story-Telling in Pinguli Paintings
Valentina Stache-Rosen
Sharing, Intrusion, and Influence: The Mahishasuramardini Imagery of the Calukyas and the Pallavas
Gary Michael Tartakov; Vidya Dehejia

VOLUME 46, 1/2 (1985)

The Demon Queller and the Art of Qiu Ying (Ch’iu Ying)
Stephen Little
Symbol and Surface: Masonic and Pillared Wall-Structures in North India
Michael W. Meister

VOLUME 46, 3 (1985)

In Praise of Government: Chao Yung’s Painting, “Noble Steeds”, and Late Yüan Politics
Jerome Silbergeld
The Indian Game of Snakes and Ladders
Andrew Topsfield
An Eighth Century Mihrab in Gwalior
Michael D. Willis

VOLUME 46, 4 (1985)