VOLUME 47, 1 (1986)

• Chang Wu: Study of a Fourteenth-Century Figure Painter
  Deborah Del Gais Muller
• Bhikatanamurti Images from Orissa
  Thomas E. Donaldson

VOLUME 47, 2 (1986)

• The Engraved Designs on the Late Sixth Century Sarcophagus of Li Ho
  Patricia Eichenbaum Karetzky
• Bodhisattvas and Buddhas: Early Buddhist Images from Mathura
  Prudence R. Myer

VOLUME 47, 3/4 (1986)

• Techniques militaires dans les royaumes du Dekkan au temps des Hoysaḷa (XIIe-XIIIe siècle), d’après l’iconographie
  Jean Deloche
• Regional Variations in Matrika Conventions
  Michael W. Meister
• Buddhist Elements in Early Chinese Art (2nd and 3rd Centuries A.D.)
  Wu Hung

VOLUME 48, 1/2 (1987)

• Zhu Haogu Reconsidered: A New Date for the ROM Painting and the Southern Shanxi Buddhist-Daoist Style
  Nancy Shatzman Steinhardt
• Wang Fu’s Contribution to the Formation of a New Painting Style in the Ming Dynasty
  Kathlyn Liscomb
• Addendum: Some Seventeenth Century Images from Burma with an Appendix by F. K. Leh-man: The Inscription
  Jane Terry Bailey
• The Indus Valley Origin of a Yoga Practice
  Yan Y. Dhyansky
• Mahendravarman I Pallava: Artist and Patron of Mamallapuram
  Marilyn Hirsh
• Raghunatha Prusti: An Oriya Artist
  Joanna Williams; J. P. Das

VOLUME 48, 3/4 (1987)

• The jue and Its Ceremonial Use in the Ancestor Cult of China
  Elizabeth Childs-Johnson
• Yet Again “Streams and Mountains without End”
  Susan Bush
• The Garden of Light and the Forest of Darkness in Dakkini Sufi Literature and Painting
  Peter Gaeffke
• Scribal Notes on Mughal Manuscript Illustrations
  John Seyller
• Tiles from the Mosque of Rüstem Pasa in İstanbul
  Michael D. Willis

VOLUME 49, 1/2 (1988-89)

• The Origin of Chinese Pictorial Representation of the Human Figure
  Mary H. Fong
• The Iconographic Program of the Wu Family Offering Shrines (A.D. 151 – ca. 170)
  Jean M. James
• Chin “Tartar” Dynasty (1115-1234) Material Culture
  Ellen Johnston Laing
• “The Eight Views of Beijing”: Politics in Literati Art
  Kathlyn Liscomb
• On Monks, Nuns and ‘Vulgar’ Practices: The Introduction of the Image Cult into Indian Budd-hism
  Gregory Schopen
• The Repoussé Buddha Images of the Maha That, Lamphun
  Piriya Krairiksh

VOLUME 49, 3/4 (1988-89)

• Court Calligraphy of the Early T’ang Dynasty
  Stephen J. Goldberg
• On the Date of the Shengmudian Sculptures at Jinci
  Amy McNair
• Prasada as Palace: Kutina Origins of the Nagara Temple
  Michael W. Meister
• Akbar’s “Khamsah” of Amir Khusrau Dihlavi: A Reconstruction of the Cycle of Illustration
  Barbara Brend
• Portraitmalerei unter Maharao Ram Singh von Kota
  Joachim Bautze
• Inscriptions and Images on the Phra Maha That in Lamphun
  Hans Penth

VOLUME 50, 1/2 (1990)

• On the Chinese Neolithic Jade Tsung/Cong
  Hayashi Minao; Alexander Coburn Soper
• A Study of the Daming Palace: Documentary Sources and Recent Excavations
  Saehyang P. Chung
• God on Earth: The Walking Buddha in the Art of South and Southeast Asia
  Robert L. Brown
• From Transcendency to Materiality: Para Siva, Sadasiva, and Mahesa in Indian Art
  Doris Meth Srinivasan
• Buddhist Narratives in Closely Similar Anecdotes. A Case Study of the “Yava-Majhakiya Ja-taka” and the “Maha-Ummaga Jataka”
  Amarendra Nath
• A Ninth Century Umamahesvara Image
  Richard Salomon; Michael D. Willis

VOLUME 50, 3/4 (1990)

• Repainting Wang Meng: Problems in Accretion
  Joan Stanley-Baker
• Narayanapuram: A Tenth Century Site in Kalinga
  Mary F. Linda
• Application of Vastupurasamandala in the Indian Temple Architecture: An Analysis of the Nagara Temple Plans of Himachal Pradesh
  Laxman S. Thakur
• A Note on the Dating of the Mosque of Rüstem Pasa in Istanbul
  Leslie Meral Schick

next issues