VOLUME 51, 1/2 (1991)

• A Northern Wei Painted Coffin
  Patricia Eichenbaum Karetzky and Alexander Soper
• The Taotie Reconsidered: Meanings and Functions of the Shang Theriomorphic Imagery
  Ladislav Kesner
• The Alaeddin Mosque in Konya Reconsidered
  Scott Redford
• Images of Agastya in Nepal
  Carol Radcliffe Bolon
• Images of Divine Kings from the Muktesvara Temple, Bhubaneswar
  Walter Smith
• The Sava-Vahana as Purusha in Orissan Images: Camunda to Kali/Tara
  Thomas Eugene Donaldson

VOLUME 51, 3/4 (1991)

• Antecedents of Sui-Tang Burial Practices in Shaanxi
  Mary H. Fong
• Yen Li-Pen, Yen Li-Te, Yen P’i, Yen Ch’ing: Three Generations in Three Dynasties
  Alexander Coburn Soper
• A Study of the “Ox-Herding Theme” as Sculptures at Mt. Baoding in Dazu County, Sichuan
  Henrik H. Sørensen
• Arhats in the Treetops
  Charles Lachman
• The Problem of Retouching in Ancient Chinese Paintings or Trying to See through Centuries
  Joan Stanley-Baker
• A Heterodox Painting of Shussan Shaka in Late Tokugawa Japan: Part I
  Patricia J. Graham

VOLUME 52, 1/2 (1992)

• The King and the Goddess: The Nolamba Period Laksmanesvara Temple at Avani
  Andrew L. Cohen
• A Brick Temple of the Ninth Century
  Michael D. Willis
• A New Interpretation of “Panca-Ganesa” Sculptures
  Y. Krishan
• Ox-Herding Painting in the Sung Dynasty
  Scarlett Ju-Yu Jang
• Further Observations on the Yuan Wall Painter Zhu Haogu and the Relationship of the Chunyang Hall Wall Paintings to “The Maitreya Paradise” at the ROM
  Ka Bo Tsang
• A Document on Himalayan Painting
  Mary Shepherd Slusser
• A Heterodox Painting of Shussan Shaka in Late Tokugawa Japan
  Patricia J. Graham

Notes

• The Kishangarh Artist Bhavani Das
  Toby Falk
• Some Unknown Works by Kawanabe Kyôsai
  Hugo K. Weihe

VOLUME 52, 3/4 (1992)

• The Shi Ke xu: Reconsideration of an Inscribed Late Western Zhou Ritual Vessel
  Yang Xiaoneng
• Shen Zhou’s Collection of Early Ming Paintings and the Origins of the Wu School’s Eclectic Revivalism
  Kathlyn Liscomb
• The Arhats in China and Tibet
  Stephen Little
• Overpainting in the Cleveland Tutinama
  John Seyller
• Le prince Salim à la chasse: une miniature inédite peinte à Allahabad
  Amina Okada
• Chong Son (1676-1759): His Life and Career
  Kumja Paik Kim

VOLUME 53, 1/2 (1993)

• The Rise of Portraiture in Chinese Art
  Dietrich Seckel
• Gold in the Ancient World: A Cultural Puzzle
  Emma C. Bunker
• Concerning the Inscription “May Sons and Grandsons Eternally Use This [Vessel]”
  Minao Hayashi
• Readings and Re-Readings of Narrative in Dunhuang Murals
  Hsio-yen Shih
• VERB. SAP. on Asuka Bronze or, Who Would Be a Museum Curator?
  William Watson
• The Epitaphs of Two Chan Patriarchs
  Jan Fontein
• The “Great Stupa” at Alchi
  Roger Goepper
• The Door Paintings in the Phoenix Hall of the Byodoin as Yamatoe
  Terukazu Akiyama
• Li Gonglin’s Copy of Wei Yan’s Pasturing Horses
  Richard Edwards
• Recent Studies on Zhao Mengfu’s Painting in China
  Chu-Tsing Li
• Yan Hui, Zhong Kui, Demons and The New Year
  Sherman E. Lee
• Tang Yin and Wen Zhengming as Artist Types: A Reconsideration
  James Cahill
• Woman Painters of the Ming Dynasty
  Tseng Yuho
• The Taiheiki Emaki: The Use of the Past
  Miyeko Murase
• The Modern Chinese Art Debate
  Wen C. Fong

VOLUME 53, 3/4 (1993)

• The Origins and Development of the Pensive Bodhisattva Images of Asia
  Junghee Lee
• The Iconography of Shaka’s Sermon on the Vulture Peak and its Art Historical Meaning
  Moritaka Matsumoto
• Jâtakas, Universal Monarchs, and the Year 2000
  Forrest McGill
• Die Juwelen des Ärmels
  Rose Hempel
• The Ultraviolet-Infrared Method of Analysis: A Scientific Approach to the Study of Indian Miniatures
  Enrico Isacco and Josephine Darrah

Notices

• A Dated Hamzanama Illustration
  John Seyller

VOLUME 54, 1/2 (1994)

• Liao: An Architectural Tradition in the Making
  Nancy Shatzman Steinhardt
• The Portraits of Khubilai Khan and Chabi by Anige (1245-1306), A Nepali Artist at the Yuan Court
  Anning Jing
• Painting in Central Tibet, ca 950-1400
  Jane Casey Singer
• Vaisravana, Dieu des richesses, Dieu des armées: A propos d’un thang-ka du Musée Guimet
  Gilles Béguin and Sylvie Colinart
• Two Nepalese Shrines of the Saha-Period with Eclectic Characteristics
  Raimundo A. Becker-Ritterspach

VOLUME 54, 3/4 (1994)

• An Inscribed Early Eastern Zhou Fou in the Arthur M. Sackler Collection
  Jenny F. So
• From Bodhisattva to Buddha: The Beginning of Iconic Representation in Buddhist Art
  Ju-Hyung Rhi
• Buddha as a Musician: An Illustration of a Jataka Story
  Bo Lawergren
• Monumental Wall Paintings of the Assembly of the Buddha from Shanxi Province: Historiography, Iconography, Three Styles, and a New Chronology
  Michelle Baldwin
• Niches, Columns, and Figures in some Petroglyphic Stupa Depictions of the Karakorum Highway
  Jorinde Ebert
• Le Livre des Ornementations en usage a la Retraite des Collines de l’Est
  Nicolas Fiévé
• Notes on Zou Zhilin
  Stephen Little
• The Bodhisattva with a Mask
  Dorothy H. Fickle

VOLUME 55, 1/2 (1995)

• Artibus Asiae Seventieth Anniversary
  Thomas Lawton
• An Iconographic Study of Xiwangmu During the Han Dynasty
  Jean M. James
• The Donkey Rider as Icon: Li Cheng and Early Chinese Landscape Painting
  Peter C. Sturman
• Reconsidering the Identity of Ri Shubun
  Elizabeth Lillehoj
• On Re-Identification of Andhra Buddist Jataka Relief Sculptures
  Ratan Parimoo
• Orissan Images of Varahi, Oddiyana Marici, and Related Sow-Faced Goddesses
  Thomas E. Donaldson
• Further Evidence of Early Painting in Mandi
  Catherine Glynn

VOLUME 55, 3/4 (1995)

• The Harsat-Mata Temple at Abaneri: Levels of Meaning
  Cynthia Packert Atherton
• The Artist as Antiquarian: Li Gonglin and his Study of Early Chinese Art
  Robert E. Harrist Jr.
• Confusing Traditions: Elements of the Korean An Kyon School in Early Japanese Nanga Landscape Painting
  Burglind Jungmann
• Farrukh Beg in the Deccan
  John Seyller
• Traditionalism of Forgery: A Note on Persian Lacquer Painting
  Eva Baer

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